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canon c500 mark ii dynamic range test

Published By: CineD - Wednesday, 15 April, 2020, Canon C500 Mark II Lab Test: Dynamic Range, Latitude and Rolling Shutter, Olympus Germany managers says the real fun will start now: PEN-F II still being considered, new Olympus branded cameras coming and focus is on video, Olympus Germany manager says the real fun will start now: PEN-F II still being considered, new Olympus branded cameras coming and focus is on video. Dynamic Range. Most cameras break apart at 3 to 4 stops underexposure. Elle produit ainsi des images d’un aspect cinéma réaliste, avec un effet d’immersion spectaculaire grâce au plein format et au savoir-faire de Canon en termes de rendu naturel, de douceur des tons chair et de fidélité des couleurs. +1 for Ryan and FX9. A lot has been said and done on the Canon C500 Mark II already, for example by my colleagues Nino or Ollie here or here. DIGIC DV7. Fig. Does the Canon EOS 6D Mark II dynamic range suck?. Passionate shooter who isn't doing this for a living. This day had finally arrived when the Canon C500 Mark II was available in the cinema5D headquarters earlier this year. So without further delay lets jump right into the lab test … Dynamic Range Result of the Canon C500 Mark II at ISO 800 Please have a look at how we test dynamic range of cameras here. Sony registered two new cameras at the FCC: New A9III and A7IV??? EF to PL mount (PM-V1) 3. Enregistrement Cinema RAW Light 5,9K interne. Would love to see the latest and greatest Arri results as that should be the gold standard. The dynamic range is crazy, over 15 stops for sure. In addition, the internal XF-AVC encoder manages to encode the noise as finely dispersed grain, hence you can add noise reduction in post production and you get a very usable image – for examplethe noise in the lower right hand side of figure 6 cleans up well – see figure 7: Fig. Browse more videos. Canon sells the following two adapters, both with shim kits: 1. Dear Jamie, see Johnnie’s comment above – we are working on this. Behind the Scenes . More or less the same holds true for the image in figure 6: at 4 stops under, pushed back to zero the image is still quite usable. You mention the chart but I don’t see a link? Playing next. Because they want to sell you $5000 cinema lenses. Découvrez le Canon EOS C500 Mark II, le système Cinema EOS nouvelle génération équipé d'un capteur plein format 5,9K. Latitude is the capability of a camera to retain detail and colors while over- or underexposing the image. 4: base exposure of our studio scene for the Canon C500 Mark II, using CLOG2 with the internal XF-AVC 10bit codec at ISO800. Filming in Cinema RAW Light, I shot at the base of ISO800 the entire time and in the edit added no noise reduction, yet I can’t see any noise at all. 3: Canon C500 Mark II rolling shutter for 17:9 5952×3140: very good 15.8ms are measured. Canon C500 Mark II Lab Test: Dynamic Range, Latitude and Rolling Shutter April 15 th, 2020 fiber_manual_recordGunther Machu 30. Having tested now various mirrorless full-frame cameras for the last 2 years in our cinema5D lab, I was really curious to put a “real” cinema camera with a full-frame sensor through the paces one day. I would be curious to see some independent test. Which led me to think – does all in camera noise reduction inherently look better than using a NLE program since the NR algorithm is searching for a specific fixed noise pattern from a sensor’s circuitry versus a universal one? SIGMA fp), while for instance the Panasonic S1H falls around 25ms. The waveform of the Xyla21 stepchart confirms this: Fig. Fig. From Dave’s tests, I couldn’t see any noticeable improvement in highlight protection, but it does appear to have slightly better highlight roll-off than the C500 Mark II. This test reveals a lot of insight about how well a camera (and the used codec) retains colors and detail. 7:00. And surprisingly (or maybe not), in real world usage, there's not a lot to complain about. The Canon C300 Mark II is here and comes with a lot of high expectations by customers and a hefty price tag of $16,000. Canon EOS C500 - IDIFF Salon de l'image animée - … MTF Services Converts SIRUI 50mm and 35mm Anamorphic Lenses to L-Mount, Top 10 NikonRumors posts for November 2020, Tentacle Sync Track E Pocket 32-bit float Audio Recorder– Recording & Transmitting Audio, Will the Canon EOS R5s come with a pixel shift like feature? How Image Engineering Tests for Dynamic Range. Dear Anthony, we try to test as many cameras as possible – with a preference to test the latest cameras on the market as testing takes a lot of time. 60% luma value on the waveform monitor, the white sheet of paper below the color checker comes in at around 65%. What are your experiences with the Canon C500 Mark II so far? Having tested now various mirrorless full-frame cameras for the last 2 years in our cinema5D lab, I was really curious to put a “real” cinema camera with a full-frame sensor through the paces one day. The standard EF mount is non-locking. Thanks Rick. The newly developed 4K Super 35mm DGO imaging system captures high dynamic range content by reading out … This is the best result we have measured on a full frame sensor so far! Can you please test the Panasonic EVA1, too? The Canon EOS C300 Mark III is a modular camera system, like the full-frame Canon EOS C500 Mark II that debuted last year. Let us know in the comments below. We always use double opt-in, so please confirm your subscription by clicking on the link you will receive in an email after you hit "sign up". As ususal, we exposed Nino’s face at max. It’s ridiculous to have to bolt a mechanical contraption onto a lens for follow-focus, when the lenses have focusing motors built in. EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke /i system. :). It is pretty clear, according to Canon’s own estimation, the Canon C300 Mark III is clearly better in terms of dynamic range. There's a lot of chatter about the dynamic range on the Canon EOS 6D Mark II but I thought I'd go do a bit of research and see what some of the folks I respect who do camera reviews have had to say about the Canon EOS 6D Mark II dynamic range. Can the Canon C500 Mark II really Compete with RED & ARRI Cinema Cameras_ carlosq00. Follow. Read more Lab Tests. I use the Original Canon C500 with the CD raw recorder/monitor and have been happy with results. Regarding the other cameras, would love to test these too – let’S see what we can do! Image plein format immersive pour une reproduction fidèle des couleurs. Hi guys,I agree with Rick Leads; getting lab results from both the original Alexa Mini (S35) and the Alexa LF would make all your other camera tests so much more useful. Higher res would be useful for stability options in post and always wanting for better dynamic resolution. Finally, we are reaching now the 5 stops of underexposure. Even when the second best option is selected, the internal XF-AVC 10bit codec, the results are still fantastic (internal 6K 12 bit raw requires more post processing). Did you guys have a chance to test the rolling shutter in the 4K Super-35 mode? RED Dragon vs Canon C500 Test. Most interesting about this test was the fact that according to our own parameters the dynamic range was closer to 12 stops, while Canon markets 15-stops of dynamic range … Thanks. B4 mount lens via adapter accessory (EF or PL) Lens Magnification factor (for EF Mount lenses, including Cinema Primes) Full Frame: 5952 X 3140/4096 X 2160/2048 X 1080: … That’s where lab testing is really helping. Really enjoying the Lab test section. He also gave props to the fact that the Canon had internal ND filters and doesn’t need to be built out as much. Well, I did. I’m outright confused at how and why Canon keeps hobbling their products in such unnecessary ways. 7: The Canon C500 Mark II at 4 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. La Canon EOS C500 Mark II est une caméra compacte et polyvalente équipée d’un capteur type plein format 5,9k et du processeur DIGIC DV 7. Please have a look at how we test dynamic range of cameras here. Dear Pablo, no, we have not tested this camera yet. URSA Mini Pro 4.6K G2 vs. G1 Dynamic Range and Latitude Test January 9 th, 2020 fiber_manual_recordGunther Machu 36. Test Canon EOS C100 Mark II Par Arthur Azoulay , Focus Numérique ( @Lesnums ) Publié le 08/04/15 à 10h28 Mis à jour le 08/04/15 à 10h28 Capteur CMOS plein format 5,9K. September 24 th, 2015. Why? Then, in post production (using DaVinci Resolve 16.1 studio) we push the underexposed images back to the 0 exposure value. The EOS C500 Mark II features a 5.9K full-frame sensor with 60p recording 5.9K and 4K (2K recording at 120p) and 15 stops of dynamic range. Camera News. If you’re just using Canon still lenses then probably not. While technically there from a dynamic range standpoint, it would not be a useful for photography. The Nikon F6 film SLR camera is now officially discontinued, FilmConvert Releases Sony a7S III Camera Pack for Fast Film Stock Emulation, Stock Notice: Canon RF 85mm f/2 Macro IS STM in stock at Adorama, TDM Audio Pro UVC Case Disinfects Your Microphones, Today only: Save on the MFT Auto Extension Tube Set and Atomos SSD. Thank you for this great review. Is there a test like this with the Varicam LT?? Mine was delivered right before the Covid lockdown, so it’s great to know I have a top notch, fantastic camera to offer my clients once we all get back to work. Fichier RAW efficace sur CFexpress. B4 mou… And the Canon C500 Mark II does not disappoint – the results is almost perfect: very little noise is present, more as a fine grain which looks very good. Canon C500 Mark II Lab Test: Dynamic Range, Latitude and Rolling Shutter. Should you opt for a locking mount? Thank you Dr. for the results! Is it more close to the C200, C500 Mark III or is it an upgraded version of the mighty C300 mark II? Theoretically the result would be much better than the 5.9k full frame readout, correct? Noise kicks in but it stays finely dispersed. But, five days is more than enough time to realize the Canon C500 Mark II is a beautiful camera capable of so much more than just helping craft a … You are right, we should try to get one of the latest Arri cameras in the lab. The next-generation Super 35mm workhorse features a new Dual Gain Output (DGO) sensor and, like the full-frame EOS C500Mark II digital cinema camera, employs a modular design and an interchangeable lens mount optional accessory that allows users to easily customize the camera according to the needs of each project. Step 12 looks even less useful and the half stop of 13 is not use able. Two weeks ago Canon Philippines lent us the brand new Canon C500 Mark II, here are some images we filmed one afternoon with the camera. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, MTF Services Converts SIRUI 50mm and 35mm Anamorphic Lenses to L-Mount, TDM Audio Pro UVC Case Disinfects Your Microphones, GoPro Karma Drone - Controller Pairing Issues, Boris FX Mocha Pro 2021 adds PowerMesh Tracking, MZed Course Review – The Art & Technique of Film Editing with Tom Cross, Panasonic LUMIX BGH1 First Look Review & Mini Documentary, Astera NYX Review - The Quest for the Perfect Cinema Lightbulb, https://www.slashcam.de/4K-Kamera-Vergleich.html. The EOS C500 Mark II features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF. To make the story short, the Canon EOS C300 Mark III Digital Cinema Camera features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for HDR recording and low noise. It depends on the lenses you are going to use it with. No spam, guaranteed! It is hard to define this cinema camera. The C500 Mark II clearly sets the benchmark for 2020 so far in our testing using a 6K Full frame sensor. Any tools to cut through the hype will always be welcomed. Test Lab is my favorite series of Cinema5D : ) I’ll be vary curious to see how the C500 mk II 6K sensor stacks up with the 1D X mk III 5.5K sensor. 5 years ago | 15 views. 8:09. I would rate this camera close to 10 and change stops based on the XYLA. Will it take the crown in our lab tests? Deux logements de carte CFexpress. You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. This day had finally arrived when the Canon C500 Mark II was available in the cinema5D headquarters earlier this year. 198. by Sebastian Wöber. The Canon C500 Mark IIis definitely more expensive on paper. Users also benefit from smooth, intuitive touch focus operation with the new 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull. However, the information we’ve received about this camera contradicts what we were told previously. And if you don't like our newsletter, you can unsubscribe with a single click, the link is at the bottom of every newsletter. Credit: Brett Danton. Is there an explanation on the difference between imatest and xyla ? Using our strobe light at 300Hz, we get a sequence of black and white bars due to the nature of read out of CMOS sensors. Mannie Noemi. 5: The Canon C500 Mark II at 3 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. Is there a database for all your results? The dynamic range of the C500 Mark II with the internal 10-bit XF-AVC codec at UHD 25fps with Canon Log2 / C.Gamut (color matrix "Neutral") is very strong 13.1 stops With a signal-to-noise ratio of 2, see Figure 1 below (noise reduction "off"). Surprisingly, using noise reduction in post production leads to an image you may still get away with – noise is rather finely dispersed and not too distracting (however, faint horizontal and vertical stripes are appearing) – see figure 9 below: Fig. Also own the BM4KPC (global shutter is nice) and BMCC 1080P but it is very difficult to blend the early BM cameras with the Canon. The dynamic range of the C500 Mark II using the internal 10bit XF-AVC codec at UHD 25fps using Canon Log2 / C.Gamut (Color Matrix “Neutral”) shows a very strong 13.1 stops at a signal to noise ratio of 2, see figure 1 below (noise reduction “off”). Canon Log 2: 1600% / 15+ stops Canon Log 3: 1600% / 14 stops Wide DR: 800% (at ISO 400) Image Processor. The Cinema EOS C500 Mark II features Canon’s high-resolution 5.9K (38.1 x 20.1mm) Full Frame CMOS sensor, which offers exceptional low noise and a broad range of tonality with over 15 stops of dynamic range. Canon also doesn’t let you control the focusing motors in their own lenses. Colombo thought that the footage showed off the slight difference in dynamic range between the cameras, with the Canon C500 Mark II doing a better job with a bit more details in the shadows. and could never get clips as noise free in Resolve or Final Cut Pro without losing detail as the built in H.265/H.264 files. And also Mini LF and especially Monstro would be really interessant see in comparison! In addition, the newly introduced DIGIC DV 7 image processor allows for more fluid and efficient recording of 4K and HDR. This result comes directly behind the ARRI Alexa (14 stops), and is the second-highest value we measured so far – pushing the Panasonic S1H (12.7 stops) from the second to third place! The dynamic range of the C500 Mark II using the internal 10bit XF-AVC codec at UHD 25fps using Canon Log2 / C.Gamut (Color Matrix “Neutral”) shows a very strong 13.1 stops at a signal to noise ratio of … In September we published our lab results of the Canon C300 Mark II dynamic range. 6: The Canon C500 Mark II at 4 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. After a week with the 1D X I noticed just how noisy the RAW footage is (and how clean compressed is!) Lens Mount. Seems like we are jumping from one fantastic result to the next – the rolling shutter at 6K RAW (5952×3140, 17:9) comes in at a strong 15.8ms – see figure 3 below. Read on …. And got the same result as with other recent raw cameras before: using plain raw without any postprocessing, the images are very noisy. Using noise reduction in DaVinci Resolve (3 frames temporal, 15 threshold value and 5 spatial threshold) it cleans up OK – still noticeable are vertical and horizontal stripes, but you could get away with this image. Advertisement. A strong 13.1 stops of dynamic range, the lowest ever measured rolling shutter of 15.8ms for a full frame sensor, and clearly showing what is possible at the underexposure test: using the internal 10bit UHD XF-AVC codec basically down to 5 stops underexposure the image is still usable when applying noise reduction in post. Fixed! Remember, I only had five days with the Canon C500 Mark II, and five days is not nearly enough time to test and peek at every single feature in a brand new camera. 9: The Canon C500 Mark II at 5 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. Hence, the dynamic range results from IMATEST are lower – indicating a rather “untouched” image by any in-camera processing. If you’re using cine lenses or heavier zoom lenses then definitely yes. Oh, great to hear – you won’t be disappointed by your new baby! Let’s jump ahead and have a look at the image which is 3 stops underexposed, and pushed back in post – remember, this is the point where most of the previously tested cameras start to fall apart: Fig. Canon C500 Mark II 6K RAW Dynamic Range vs RED 8K Helium. Can’t wait! 4K 4:2:2 10 bits. I know many existing workflows are not using RF, but Canon’s own brilliant RF to EF adaptors solve 99% of these issues. Considering the BM12K (looks like better color now) or the Canon C500 MII once it is discounted. Using the Canon EOS C500 Mark II instead of the larger EOS C700 FF also meant the camera could be rigged up with monitors and follow-focus rigs, or stripped back to make it as light and compact as possible for use on a drone or gimbal. Just so I understand you, EF lenses are brilliant when you need a Canon adapter but hobbling when you don’t. Read on … A lot has been said and done on the Canon C500 Mark II already, for example by my colleagues Nino or Ollie here or here. Each pair represents 3.33ms. Check out the BTS clip: Cut my teeth on the Panasonic GH series, always looking to keep the gear as small as possible on my travels through the world, where I am telling cinematic stories as a hobby. Surprisingly good however. Caractéristiques. by Sebastian Wöber. carlosq00. Secondly, the larger sensor … However, it remains to be seen if this holds over the entire spectrum of ISOs or if the C500 Mark II holds up better. It will take a bit of time, but it will come…. Exceptions so far: BMPCC6K using BRAW 3:1 and Panasonic S1 (using ProRes HQ via an external recorder) which retain a usable image at 4 stops under. Will it take the crown in our lab tests? Canon EF Mount. Plus you should make the list of links to all your tests and results easier to reach because they are extremely thorough and useful and now they are spread over the years. Fig. The dynamic range of the C500 Mark II using the internal 10bit XF-AVC codec at UHD 25fps using Canon Log2 / C.Gamut (Color Matrix “Neutral”) shows a very strong 13.1 stops at a signal to noise ratio of 2, see figure 1 below (noise reduction “off”). Now you may ask why I have not used the internal 6K RAW (5952×3140) to test the dynamic range? Very usable still. EF locking (CM-V1) 2. Enregistrement interne jusqu'à 810 Mbit/s . Canon C300 Mark II Lab Test – Dynamic Range 2 Stops Less Than Expected. We only send updates about our most relevant articles. The analysis consists of checking how the camera renders the gray patches. 2: Waveform plot of the Xyla21 stepchart from the Canon C500 Mark II at 25fps, UHD, 10bit XF-AVC codec (CLOG2 / C.Gamut) at ISO 800 – about 13 stops can be identified above the noise floor! Lab Tests. Also here, using the internal 6K RAW results in much noisier images than the internal 10bit XF-AVC provides, so in order to have a better “out of the box” baseline when comparing these images to previous cameras, I decided to show you the internal XF-AVC 10bit images. Filmmaker Brett Danton. The new Tamron 17-70mm f/2.8 E-mount lens will be announced tomorrow! Fig. No camera so far has survived this torture test. Shortly after the publication of our Canon C500 Mark II lab test last week, we learned that we will gain early access to a pre-production Canon C300 Mark III in our headquarters in Vienna. The Canon C500 Mark II. Very noisy, and horizontal as well as vertical stripes start to appear. 15:37. Advertisement. Image Engineering (IE) uses a special transparent test target to measure dynamic range. 8: The Canon C500 Mark II at 5 stops underexposure, pushed back to 0 using CLOG2 with the XF-AVC 10bit codec at ISO800. This result comes directly behind the ARRI Alexa (14 stops), and is the second-highest value we measured so far – pushing the Panasonic S1H (12.7 stops) from the second to third place! It would be nice to have a dedicated section where we can just go to and reference at any time. The Cinema EOS C500 Mark II features Canon’s high-resolution 5.9K (38.1 x 20.1mm) Full Frame CMOS sensor, which offers exceptional low noise and a broad range of tonality with over 15 stops of dynamic range. Hoping Monstro VV, FX9, Venice, C700 FF & Alexa LF will make their way to the Lab at one point :D. Thank you Christopher for your nice comment! Please have a look at how we test dynamic range of cameras here. And you won’t be disappointed ;-). Canon EOS C500 Mark II | Caméscope | Retrouvez toutes nos publications, meilleurs prix et bons plans, avis et actualités sur ce modèle. From there we successively underexpose the studio scene by increasing the shutter speed to 180°, 90°, 45°, 22.5° and finally 11.25° (5 stops underexposure). Read our full Privacy Policy here. Type. The chart consists of gray patches that show a well-defined and regularly re-measured luminance (in unit cd/m2). Also would like to see the new BM12K when you can get one. Lens. Interesting that you mention this noise reduction difficulty with the RAW files, I had a very similar experience and thought – a manufacturer’s “sensor noise footprint” which you could use in Resolve to make this easier. No Reds tested yet? Dear Luka, no, we have not tested this. 2019 has been a quiet year for Canon’s Cinema EOS lineup, with only the announcement of the long-awaited Cinema EOS C500 Mark II. What goes without saying is that in the hands of an expert the 6K RAW files provide even better flexibility in post, especially the heavily underexposed images. And of course we had to take an immediate “lab test” look at Canon’s latest Super 35 addition to their line of cinema cameras. Looking at the waveform from the XYLA chart it appears that step 11 is smeared all the way from step 10 to 12. We have been told that the next cinema camera from Canon will be the Cinema EOS C300 Mark III. You mean something like this https://www.slashcam.de/4K-Kamera-Vergleich.html, Hi Nick.We are working on this. Noise kicks in but it stays finely dispersed – using noise reduction in DaVinci Resolve (3 frames temporal, 5 threshold value and 4 spatial threshold) it cleans up very well. From the tests, it looks like the C300 Mark II is achieving that extra dynamic range by giving you extra stops in the shadows and mids. This flexible design can be configured according to the shooting and equipment requirements, right down to the lens mount – which can be changed between EF, PL or EF Cinema Lock without the need of converting by a service center. Thanks!! Consultez notre site Web pour découvrir notre gamme de caméscopes. Fascinated by the new possibilities with small cameras. So without further delay lets jump right into the lab test …. This gives a base exposure of 360° shutter at f4.0 at ISO800 (UHD 25fps) – our 0 stops under baseline (internal noise reduction “off” for all tests). 1: IMATEST dynamic range result for the Canon C500 Mark II at 25fps, UHD, 10bit XF-AVC codec (CLOG2 / C.Gamut) at ISO 800 The waveform of the Xyla21 stepchart confirms this: Fig. © 2020 All rights reserved. With a dynamic range of 15+ stops using Canon Log 2, and the option of recording in either Cinema RAW Light or Canon's XF-AVC format, the Canon EOS C500 Mark II captures footage that can be successfully put through such a workflow, be that in PQ or HLG. But yes, the assumption is correct, rolling shutter should be significantly better in Super 35 mode. Having tested now various mirrorless full-frame cameras for the last 2 years in our cinema5D lab, I was really curious to put a “real” cinema camera with a full-frame sensor through the paces one day. [CR2], GoPro Karma Drone – Controller Pairing Issues. Fig. It’s frustrating to have what would otherwise be the right camera for my needs hobbled by the use of EF or PL mounts rather than the much more versatile and future-proof RF mount. Still almost perfect. Canon EOS C500 Mark II. Retour à la présentation du produit. RED Dragon vs Canon C500 Test. Could you guys do a cumulative chart of all of the cameras you’ve tested thus far for DR and Rolling Shutter (ms)? Would love to see the Sony FX9 tested as well. Canon EOS R5 Overheating … The Canon C500 Mark II Camera provides great support for optional interchangeable lens mounts for different project requirements. Report. A database of all tests will be available, we are still working on this. For full frame sensors we haven’t seen a value below 20ms yet, 22ms was quite good already (e.g. Really like Canon color science. 1: IMATEST dynamic range result for the Canon C500 Mark II at 25fps, UHD, 10bit XF-AVC codec (CLOG2 / C.Gamut) at ISO 800. The horror. Fig. And if so would it be possible to have in practice a Noise Reduction ‘LUT’ so to speak from manufacturers?

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December 3rd, 2020

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